There is a sale page atsequence-one.teachable.com.

The archive is at https://archive.fo/OoIc1.

The best way to get up and running with Ableton.

The process of learning how to produce music can be difficult if you are new to the program. It is difficult to know where to start. You are not sure how to turn your musical ideas into a song.

The foundation you need to produce music confidently in the genre of your choice will be given by this course.

Rule Them All with one course. There are a lot of accessible courses in the area. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Why take this one? It is certified by Ableton. Your instructor is a DJ and audio engineer named Lenny Kiser. His full bio can be found below.

It has been tested and proven. The same world-class curriculum we teach at Sequence One is available to you.

There is a hands-on approach. Do it to learn. You will start with a blank project and walk through the entire process of producing a track.

The content is top-notch. 60 HD videos are included in the course, which is over ten hours of training.

There are files that can be downloaded. The project files and samples you need to complete the course are provided by us.

Community assistance. Get help from Sequence One instructors and fellow students by using the Comments feature on the course videos.

What You’ll Learn

The best way to learn Ableton is to get your hands dirty and use it to make a song, and that is what you will do in this course. You will get a full primer on the music production process when you learn how to work with the software. The promo has an overview of the course content.

You will be able to do this by the end of the course.

• Set up your gear
• Navigate the Ableton interface, find sounds, and organize your music library
• Develop a workflow and grasp the difference between Session and Arrangement view
• Program a beat and make custom drum racks
• Understand the basics of music theory, like rhythm and timing, notes, scales, chords, and chord progressions
• Write a chord progression in a specific key and create a bassline that works with the chords
• Record, edit, and warp audio
• Use audio and MIDI effects
• Structure and arrange your songs
• Create interesting transitions between song sections
• Understand fundamental audio mixing concepts, like volume balancing, EQ, compression, saturation, reverb, delay, and panning
• Mix down, master, and export a song

The curriculum for the course.

Chapter 1 introduces the course. There is a preview to the course. Start using the project files. Start getting the most from this course. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 2 covers music production basics. Listen to Digital Audio (9:38). Start exploring the production process. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 3 tells you how to set up your gear. Start setting up an audio interface. Start setting up a controller. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 4 is about getting started with Ableton. Start understanding tracks and clips. Start use session and arrangement view Start Find Instruments, Sounds and Effects. There are start install packs and max devices. Start organizing your music library. It’s time to start developing an Ableton Workflow. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 5 covers percussion basics. A standard drum kit. The first part of StartLearn Rhythm and Timing. StartLearn Rhythm and Timing Pt2. Load a drum rack. A basic beat is the start program. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 6: Program the drums. A custom drum rack can be created. Start refining the drum sounds. Start saving your project Start using overdub recording. Start applying the grooves (12:01). StartExtract Chains StartUse Track Mixer Controls. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 7 covers music theory basics. Start learning music theory. Understand pitch and notes. Scales can be made by combining notes to make them. The StartBuild Chords are9:45. Start playing the scales with the Chords in a Scale. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 8 adds a bassline. Start writing the progression. It is possible to previewquantize and edit the notes. Start writing a bassline. StartAutomate in Session View. Chapter 9: Record and Warp Audio. StartRecord Audio is in Ableton. StartWarp Audio will stay in sync. Understand the Warp Modes. StartWarp a full song. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 10 covers arranging and editing a song. Start work with clips and scenes. Start moving to the arrangement view. Start structuring your songs. Start editing in the arrangement view. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 11 adds effects and transitions. Transitions can be preview created. Sampling begins with Simpler. Start using the auto filter effect. StartBuild Audio Effect Racks are used. The start automate in arrangement view Start using the arpeggiator effect. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 12 deals with balance. Start Understand Audio Mixing. The volume should be balanced. Start by cutting low frequencies. StartSculpt Sounds with EQ. The preview applies compression. Start using the glue compressor. Start applying sidechain compression. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 13 deals with creating dimensions in the mix. Understand the effects of delay and Reverb. StartUse sends and returns. Start Effects apply to return tracks. Start with a wide mix (10:02). Start Adding Saturation (6:46). It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Chapter 14: Finalize the song. StartMaster a track Start exporting a track. Chapter 15 is the conclusion of the course. StartWrap-Up and Next Steps.