Mark Chandaue – HARPACROWN

A beautifully bound premium book is lovingly created to look good on any shelf and last a lifetime. Everything in the Standard Edition is included in the 322 pages.

• Mark Elsdon
• John Carey
• Michael Murray
• Myke Phillips

The effects and essays are used to illustrate deeper principles that will assist the reader to take their performance and creativity to the next level. The effects have been refined for many years. There are no pipe dreams. People are talking about Harpacrown.

The way Mark considers and builds routines is a joy to behold. It has changed the way I perform. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The person is Darren Woolf.

Mark’s passion for our art form can be felt from each page. It will sit nicely amongst my prized possessions. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Steve Haresign.

This will be the book to buy this year. I love it already, so get this while you can. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The person is Darren Rotherham.

I can only say that the book is written from the heart. There is no collection of effects. This book is filled with love and emotion. This will be in the elite section. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Stephen Young.

I have known Mark for a long time and he always amazed me with his clever thinking. You will find a collection of professional routines and ideas in this book, it is a labor of love. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Luca Volpe.

Mark is one of the few mentalists that live to perform. Mark has a high level of passion for this art and the quality of the routines, script and principles is outstanding, both of which can be seen on every page of this book. Harpacrown is an emotional powerhouse of a read and deserves to be in your personal library. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Michael Murray.

Mark has passion, sincerity and honesty that shines through. This is an incredible book, and he is an incredible man. Highly recommended. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Mark Elsdon.

I am impressed! Inside and outside the box, brilliant thinking. Get it now! It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The person is Marc Salem.

The contents of the collector’s edition.

The descriptions of many of the chapters have been taken directly from the reviews.

John Carey is the author.

Pete Turner is the author.

The introduction is about something. The introduction tells the reader about Mark’s past, his father, and the origin of his name.

Ross Chandaue is a man. Mark dedicates his second essay to his father. This man is inspiring to say the least.

The switch Nobody will see the coin switch. It looks like you pick up a coin and display it in your empty hand, but the switch is done.

It is possible to melt. Predicting the date of a coin is the Phase 1 prediction piece. The coin is bent in 2 phases.

Push. You can do a coin bending routine on the street. You cause multiple coins to bend at the same time.

The first date. The spectator dumps all of their loose change on the table if a prediction is placed in full view. A coin is selected. The prediction matches the date on the coin.

The second date. The performer never touches a freely selected coin.

Magicians are guilty. Mark provides real world examples and concrete suggestions for overcoming the negative impact magician’s guilt can have on performances.

There are numbers. This routine is very good. Absolutely killer. The effect uses multiple spectators to generate some very random lottery numbers, and hits them right between the eyes that you have predicted the numbers they would choose on a genuine lottery ticket.

There are pictures. A spectator puts a drawing on a business card in their pocket as the mentalist turns his back. The drawing is duplicated by the mentalist. Four different handlings are covered in this routine.

Nod to Pocket Pete. Marks takes on the routine of loochs nod to pocket watch. You can accurately predict a lot of things. Think of this as Nod to Pocket Watch with a twist.

Getting to know you from memory. There is a take on Memoria. The performer reveals both when a participant selects a card and thinks of a memory.

Going pro. Mark tries to keep us grounded in the realities that go with living in the shoes of a professional magician.

3 Phases. You can accurately predict the outcome of three games of Rock, Paper, Scissors with this routine. Predicting the outcome of a game between two spectators is more difficult than the last prediction.

Being respectful of the art. Mark talks about the value assigned to things. When magic and mentalism were not as accessible as they are today, Mark talks about the value of secrets.

Lunch for two. There are three different effects in this take on the Out to Lunch principle.

3 course lunch. The Out to Lunch principle increases the number of possible outcomes.

It’s time to scrap it principle. It is possible to get information from a spectator for free.

Making sense of it all. Mark tells a story of his first magic convention. Mark walks the reader through his work.

Thought Stacking. Thought stacking is when you use information you already know to obfuscate the method used to get information that you don’t know.

Commercial effects. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Some commercial effects are covered in this chapter. The method for these effects is not covered by Mark. He only gives a presentation, twist or enhancement.

Brain farts. The brain farts chapter is called brain farts because the routines have not been fully audience tested, but Mark feels that they have some merit and could be a great starting point for others to build on.

Dicing with death. There is a stage where you determine the killer, the victim, the motive, and the method, as well as who is lying and who is telling the truth. This is a performance piece.

WWPTD. An essay on structuring a routine to disguise a simple method and making the most of small pieces of information.

Mark Elsdon is a numismatist. Mark Elsdon consistently creates routines that work. A three phase mentalism routine with coins where each effect is more impressive than the previous one ends in a fantastic finale which leaves the final prediction on their phone as a reminder of the experience.

John Carey wrote One Thought Across. John Carey has created practical and direct routines. John applies a mentalism theme to a classic card plot.

Michael Murray wrote Thought Unlinking Principle. This principle has earned Michael Murray a reputation as a genius. It’s not funny that you can get so far ahead of the spectators.

MykePhillips wrote The Searchlight Principle. MykePhillips is best known for his work with the iPhone. The Searchlight Principle allows you to reveal the specific letter within a word that the spectator is thinking, you can then reveal the entire word.

Afterword by Atlas.

Get. The man is Mark Chandaue. Right now!