Ran Pink & Andrew Gerard – Conscious Magic
Ran Pink & Andrew Gerard – Conscious Magic
Ran Pink & Andrew Gerard – Conscious Magic
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Description
Ran Pink & Andrew Gerard – Conscious Magic
Andrew and Ran Pink are here. There is alogy called CMTrilogy. There are a number of sensational magic movies.
There are some serious secrets to performing real world material. This is my kind of magic. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The name of the company is Dynamo.
The series is available in a limited edition box set. With over 4 hours of real world performances and detailed theory and explanations, Andrew and Ran reveal their go-to routines that they perform in real-life casual situations such as bars, house parties, and on the street. They teach new effects, break them down, discuss their creative process, and give insight that will help make the magic you create even better. With more than two decades of creating and performing magic, and producing magic on TV, Ran and Andrew sit down for the first time and openly discuss and reveal their approach to performing magic and mentalism in everyday environments.
Our goal. Conscious magic. To elevate the art of magic by empowering the performer to have a deeper insight into the process of creating, performing, and even thinking about magic on a new level. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Andrew and Ran Pink.
If I had a list of 10 mystery artists that I would like to be locked in a room with, Andrew and Ran Pink would be on it. They inspire me by stripping effects down to simple moments of astonishment. It is an opportunity I will not miss, and neither should you. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it There is a person named Marc Spelmann.
The worker of the week. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The product review of the wizard.
The real world. Since Paul Curry released Out of This World, there have been many versions, but none like Real World. The spectator deals into two piles using a normal deck of playing cards, which separates the reds from the blacks while the cards are face down. There are no sleights. The idea of the law of attraction is explored by this creative method.
Gerard has been the most influential person in my professional career to date. Out of This World is the only one I use now. I tried to put tape on his mouth to keep it out of myself, but that didn’t work out. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The person is Keith Barry.
T-REX. The illusion of real mind-reading can be created in the most direct, personal, casual, and powerful way. You can do it with a pen and piece of paper. There is no fumbling with too many pieces when you rip the paper. It is so strong that it can bring people to tears.
Unless it is $100, T-Rex is too good to give away. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Colin McLeod.
It’s called OpTIKA. It’s the perfect opener for any social situation. You can make yourself known as a magician by using a simple trick. Andrew will show you how to create an illusion that will cause debate among your spectators.
Get lucky. The idea of lottery routines and picking winning numbers has been used by many people. There is a powerful routine that involves real lottery tickets and stubs. Walk up to the store and buy a lottery ticket.
Coming. The spectator pushes their card into the deck with their finger. Their signed card goes from the middle of the pack to the top while in their hands. Andrew leads the viewer on a journey of self-discovery and encourages them to find their best version of themselves.
I love the dialogue between these two and the effects are strong. They give away priceless insights. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it The person is Haim Goldenberg.
There is a radio station. The spectator writes a song on a card and holds it in their hand. They feel a thought leave his mind and into theirs when he asks them to touch his temples. The spectator is able to transmit the melody of their thought-of song to the other person. You can reveal the song by singing it or playing it back on a mobile music service.
Fifty is the number of years. When something of value is on the line, the effects do not matter. Andrew puts $100 on the line and bets if the spectator will pick up the bill with their left or right hand. He always gets it right. This is a routine. Pick up some paper, pencil, and something to wager, and you are ready to go.
There is accuracy. The performer has a table with two bills and a quarter on it. The spectator is told to spin the quarter on the table to remember which side it lands on. The magician’s wallet is hidden by the spectator. The spectator is told to put one bill in each hand. The performer has his back turned. The performer will know the location of each bill when he turns around.
The material Andrew and Ran teach is very strong. If there is one lesson you can learn from watching them, it is how they make a connection with the people. This is the true secret of intimate theatre. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it John Carey.
Stfu. Stfu is a tool that will allow you to create many effects. It doesn’t eliminate palming, stealing, or loading. This tool is included in the package and we have shot performances and explanations of effects where the spectator loses the memory of a chosen card, a card appears in an impossible location and more. The Brainstorm section of the new segment is for ideas for other uses of the tool.
I instantly want to learn about the product because I know it will be well thought out and a real-world worker. I am very excited to hear that Ran and AG have joined forces on a series of products. My order should be the same as yours. They have perfect routines, methods, plots, and tips. I can’t wait to listen when guys share their thoughts. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Peter Nardi.
The race. The spectator shuffles the deck by generating a random number. That number is dealt to and, in this shuffled deck of cards, it is revealed that their card is exactly at that number. The rest of the deck was blank. The whole experience happened in their mind because the card that they were thinking of was blank.
The room is called the White Room. White Room is a technique that can be used to create a mind reading experience. Everyone watching knows that the person keeps their eyes closed for more than half the trick, creating an interesting spectacle. It uses nothing but words and will always be with you. Imagine being able to tell a person what card they have arrived at while making decisions in their mind.
The very best project I have seen in the field of mentalism. This is the real thing. Can’t wait for the rest of the series. It’s not like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it’s like it Paul Romhany is the Editor. There is a magazine for magicians.
Get. The Conscious Magic is performed by Andrew Gerard and Ran Pink. Right now!
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