[Download Now] Mark – Save Time in Character Animation in After Effects
[Download Now] Mark – Save Time in Character Animation in After Effects
[Download Now] Mark – Save Time in Character Animation in After Effects
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Description
[Download Now] Mark – Save Time in Character Animation in After Effects
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Use a powerful technique to stop your I don’t have time for this and animation quickly, using just a few clicks and drags.
Lack of time is the most common reason why people don’t pursue something. There are a lot of things to do.
Millions of people love learning how to do things faster and easier.
How can you do something if there is no way to do it?
I had to overcome my frustration. Help others to avoid it.
I came back for revenge after dropping the project for a couple of months because I knew it was going to take me forever, because when I started to take a bit of my sleep time to start a project in animation, I just knew it was going to take me forever. It’s more like in an epic way.
I learned the power of expressions after watching a couple of After Effects videos. I got inspired. There is a way to solve this.
I found a way, as you know, but there is no further explanation. HOORAY!
Finally, a solution!
This course is about a solution. You can learn how to speed up your animation time with an advanced technique.
Since a couple of years ago, rigging characters has been used, but what I teach you here is how to use After Effects to give you the ability to move your characters with just clicks and drags.
If you find the techniques interesting, check out the 1 hour of free lessons.
I want to know what options I have for creating a character.
Picture this. A 2 minute animation is what you have in your mind. You have the plot in your mind, it is a good story, and you have the main characters drawn and ready.
You know how to use After Effects because you went to Video Copilot.
The first option is a puppet tool.
If you put a couple of puppet pins in After Effects, you can move the character by changing the position of the pins. Right? It takes a lot of time to make that, it is quicker than drawing frame-by-frame, but still takes a lot of time.
The second option is to cut out animation.
The puppet tool technique can be used to split a character into different parts of the body. The limbs, the body, and the head. There is a separate layer. It takes a lot of time to make thatrig. It might be faster than classical animation, but it won’t be as fast as a few clicks and drags to change the position.
How can you make it fast?
The third option is advanced rigging.
You only have to make a few clicks and drags to change the position of your character, if you use a powerful rig that calculates everything for you.
It is very easy to remember when you played with toys.
Do you ever play with toys? If you wanted to raise the hand of your toy, all you had to do was raise it correctly. Imagine if it was simple.
This is what the course will teach you. There is a way to change body positions.
Everybody wants to know if you have a solution.
After I came up with this technique, I brought it to the studio I work for, and they went crazy. I knew that the secret to being faster in animation was by using expressions.
People who know how to use After Effects know that the secret to speeding up your work is by using expressions. The only way I could help was to organize the process and make a few videos.
The idea for this course was born there.
Everybody knows that rigging characters is a way to speed your animation.
Most professionals under a schedule use ruffed characters. I am talking about Disney TV. They all use techniques to make their characters look better.
Until now, you had to use Toon Boom or Animate Studio to do this in After Effects. What about us? What about the after effects community?
This is my contribution. You can control your character with an advanced rig inside After Effects.
If you haven’t checked yet, take a look at 1 hour of free lessons to see how easy it is to achieve this rig, and how it can help you to animate faster.
What level of knowledge do I need?
I made an update and included a tour of the software because I know a lot of people don’t know how to use After Effects. Everyone is getting it. If you are a veteran user, you can find some advanced little tips that can help you cut your work time in half.
The reviews should be checked.
People with little time need to work faster, as well as big studios who work under a schedule. You can achieve faster times, deliver work earlier and stay ahead of schedule by taking this course.
What if I don’t understand something? What if I need help?
I try to reach you as fast as possible if you have a question. I answer all questions on the same day. Twice a day, I check my inbox.
Thanks to the many questions I received, this course has had tons of modifications. Many lessons have been re recorded and 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 888-270-6611 Any doubt you have is a way to help improve the course.
You can check the free lessons now.
What are you waiting for? If you believe that the free hour of video lessons is what you are looking for, you can enroll for the complete 4.5 hour course and discover the secret techniques that can help you cut your working time in half.
The project files are easy to follow and the instructions are easy to follow.
Enroll today!
What are the requirements?
- Have Adobe After Effects in your system
- If you want to follow along, you can download the project files
- Basic knowledge of Adobe After Effects is recommended, but not required, because I give a tour of the program
What am I going to get from this course?
- Rig a Character in After Effects
- Animate your cartoon characters faster with just a few clicks and drags
What is the target audience?
- This 2D Animation course is meant for beginners to intermediate users of After Effects looking for a fast way to animate, using a rigged puppet.
Course Curriculum
Section 1. The introduction is about something. Start this course. There is a course overview and goal. How to download project files. There is a character setup in Adobe Illustrator. Start4 got Duik at 14.23 How to open project files Section 2. The character is being manipulated. The left arm is being manipulated. The right arm and legs are being manipulated. How to hide the shoulder line How to hide the hip line Put the left arm behind the character. Put the right arm behind the character. There are anchor arms and legs to body. Section 3. The head is turning. Start 13 is setting up a 3D illusion. The face shape for 3D illusion is being created. The rest of the face is being created for a 3D illusion. Start16 is cleaning the workspace. Section 4. Setting up controllers Start17 setup for head and face controls The different parts of the face are separated. Start19 creates effects for controllers and parent layers Start20 Align Anchor Points. Section 5. The controllers are being activated. There are expressions for turning the head. Start22 controlling the head up and down. Start23 Marking Limits For Head Control. There are eyebrow and eye controllers. Prepare eyes and eyebrows and fix eye blinks. Start26 expressions for eyebrows Start 27 expressions for pupils Section 6. The lip sync is being set up. There is a start28 animation for lip sync. The first part of the expression for mouth. The second part of Start30 expressions for mouth Start31 setting up the jaw and using expressions Section 7. There are additional switches that are automated. Start32 front to back switch Start 33 touching and final touches. Section 8. The character is being created. The character is being animated. Setting up a 3D scene. Section 9. There is a replacement animation. Start36 is setting up replacement animation. Start37 is a replacement animation. Section 10. Wrap it up. Start38 Wrap It Up.
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