[Download Now] Sum Nung Wing Chun – Chinese

[Download Now] Sum Nung Wing Chun – Chinese

[Download Now] Sum Nung Wing Chun – Chinese

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[Download Now] Sum Nung Wing Chun – Chinese

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Sum Nung Wing Chun – Chinese

Wing Chun is not a technical style. It’s a conceptual system. It is an ingenious index and guide to the core principles of Southern Chinese martial arts. In the Wing Chun system of Yuen Kay San, it is taught by the grandmaster. Yiu dim. (). dian It’s important that they come from the many individual applications and implications.

sticking hands is like asking the way, simultaneous defence and counter offense, and techniques come from the heart are some of the important concepts in Wing Chun.

The concept is called Centreline.

The M. The eridian line. The central line, sagittal place, etc. are some of the major concepts of Wing Chun. It can be viewed in many different ways. It is.

  • defines the line that vertically bisects the practitioner’s body from the crown-point all the way down to the central point between the feet
  • indicates the same line through an opponent’s body
  • encompasses the most direct root between the practitioner’s center and that of the opponent

Wing Chun seeks advantage by aligning its structure and weapons on the central meridian, striking the opponent’s center of balance and maintaining dominance of the line between the two throughout combat.

In addition to the general principles, Yuen Kay San left behind several formal written sets in poetic form, including the sup yee faat ( shi er fa , twelve methods). It is a group of keywords organized by Yuen Kay Shan and Sum Num to express their core concepts. Practitioners of the Yuen Kay San / Sum Nung Wing Chun lineage apply these methods together with their techniques during applications. The twelve methods provide a gateway to deeper understanding of the style. Anyone who fights purely with techniques without these methods will not possibly be able to execute them to the fullest potential.

Basic explanations can help give insight into the potential of each method.

  1. Darp (搭) means ‘to bridge the opponent’s arm’
  2. Jeet (截) means ‘to intercept’
  3. Chum (沉) means ‘to sink’
  4. Biu (标) means ‘to thrust or charge forward’
  5. Chi (黐) means ‘to stick and follow’
  6. Mo (摩) means ‘to feel or slide along the skin with mild pressure’
  7. Tong (熨) means ‘to apply stronger pressure on opponent’s arm to hold, seal or trap’
  8. Dong (荡) means ‘to swing or change direction’
  9. Tun (吞) means ‘to pull in, draw in or guide in’
  10. Chit (切) means ‘to cut off opponent’s incoming offensive route’
  11. Tao (偷) means ‘to steal or create a false strike into opponent’s ‘
  12. Lao (漏) means ‘to run hands, sneak and slide into opponent’s loop holes usually after stealing’

Making contact with the arms is what Bridging is about. The opponent’s strike on his way in should be stopped before it gets too close. The destruction of the opponent’s structure is Sinking. The relaxed and accurate thrust of power is advocated by darts. Contact is needed to gather information. During combat, feeling uses contact to maintain positioning. The power is applied like an iron on clothing. Swinging makes opponents react against them. Swallowing accepts the opponent’s power. The opponent’s center of gravity is disrupted by slicing. Stealing fills the gaps in the opponent’s defense. It runs through an opponent’s actions.

Tactical advice is passed down through rhyming couplets. yiu (). You know, yao jue. Similar formulae and important rhymed ones. It is faat mun. (). Men. , methodologies.

As force comes, these formulae should be received and kept. Accepting and adhering to it, it is never resisted or knocked away. As force increases, it is escorted back and added to. When contact is lost or the body is crossed, a practitioner is advised to charge straight down the central meridian.

Wing Chun Kuen does not plan out ahead of time and does MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE MzE It attacks according to the current conditions. Each defense is an offense. A person can achieve twice the results if changes are skillfully done.

Boxers must learn to move with the wind rather than against it in order to maximize their power. Its power is calm and quiet. It is necessary for practitioners to have faith in themselves to use it. Both hard and soft are used to overcome hard. In order to gain control, attacks may be initiated. When an initial attack is made, it is followed by others until the target is eliminated.

The Yuen Kay San system includes sets of five character rhyming couplets. They include. Yiu,,,,,,,,,,,,,,,,,,,,,,,,,,,, (). It’s yao zhi. There are important ideas. ching yan (). Qian Yin. , introductions. The sets relate to working hard, being healthy, studying, using the eyes, and being first.

Strength must be in position, never overextended, according to some of the training principles. It is aware and follows. The eyes should be angry during training. Staying with a partner is how changes should be explored. These practices need to be corrected by a teacher. When there is no teacher and no partner, a mirror and dummy should be used to aid in the pursuit.

To remember to change according to conditions, practitioners are advised to follow the methods of the ancestors. One is unlikely to meet with failure if one works hard and trains.

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