White In Revery – Masterclass Wedding Film Editing in FCPX All LUTs

• MusicBed / 1 song license
• Lens Distortions Pack / legacy 4k
• Mediazilla / annual subscription discount
• Timbre LUT Collection / color grades

THIS COURSE IS FOR YOU… IF

• You want to speed up your process so that you can edit faster and save yourself some time
• You need to train editors to edit for you but don’t have the time
• You don’t have time for YouTube and don’t want loans for film school
• You are switching from Premiere on a Mac but not sure how to get started in FCPX
• You are stuck with creative vision and are not sure how to improve your films and set yourself apart
• You want to learn to edit like a pro
• You want to learn how to professionally color grade your films and mix audio
• Your editing is messing and you need an advanced organizational workflow

HERE IS A LIST OF ALL THE LESSONS THAT ARE INCLUDED WITH THIS MASTERCLASS:

• Welcome to our Masterclass

The overview is part of the lesson.

• 5 Stages of Editing

Transferring clips are part of the lesson.

• Hard-drives, Folder Structure, Transferring Footage, Transferring Audio, Renaming Files

L. Prepare the library.

• Getting to know the FCPX Layout, Setting up the Librar y

L. Esson 4 is about Import Media.

• Importing Footage, Adding Metadata, Workspaces, Importing Audio, Audio Roles

L. Sort Footage by Esson.

• Keyword Collections, Sorting Footage

L. Esson created multi cameras.

• Create a Ceremony Multicam, Cleaning up the Multicam, Creating a Toasts Multicam, Setting up Subroles, Creating a First-Look Multicam, Preparing a Multicam Project

L. Esson selects favorites.

• Speeding up your Editing Process by Creating and Filtering by Favorites

L. The first part of Esson’s editing.

• Choosing Dialogue to Guide the Story, Organizing the Selected Audio, Choosing Dialogue from Toasts, Bringing in our Favorite Shots

L. Esson 09 is an editing and part two

• Creating a Strong Intro, Storyline, Structuring out the Edit, Utilizing Connected Storylines, Ending the Film Strong

L. Esson 10 is an audio overview.

• Three Categories of Audio

L. Esson 11 is a record of mastering audio and music.

• Cutting up Music Tracks, Mixing Songs Together, Mixing Songs using Ambience

L. The audio is called Dialogue.

• Compressor, Equalizer, Limiter, Noise Removal, Noise Gate

L. Esson 13: mastering audio.

• Utilizing the Library, Connecting Sound Effects to Clips, Using Lens Distortions Sound Effects, Creating an Audio Mix-down

L. Esson 14 has a color overview.

• Three Stages of Color Grading, Screen Calibration, Setting up Proxy Files

L. Esson. There is an introduction to color grading.

• Getting to know the Color Tools, Color Wheels, Color Board, Color Curves, Hue/Saturation Curves, Analyzing Video Scopes, Adding a LUT

L. Esson. The color is balancing your footage.

• Primary Corrections, Applying the LUT, Secondary Adjustments

L. Esson. Working with LUTS on mastering color.

• Tweaking Color to Taste, Adding additional Color Effects

L. Esson. The mastering color is graded inside multicams.

• Mixing Exterior and Interior Shots, Color Grading Inside the Multicam

L. Esson. The mastering color is visual effects.

• Creating a Library for Special Effects, Using Effects to add Depth and Motion, Using Effects to Focus on a Subject

L. Esson. It’s about exporting and storing.

• Compression, 4k Compressor Settings, Anamorphic Crop, Exporting for Instagram, Creating a Still, Archiving Footage

L. Esson. Online delivery is on n 21.

• Mediazilla Delivery to Clients, Embedding Mediazilla on your Website

L. Esson. There is physical packaging.

• LaRousse Packaging

L. Esson. Final thoughts

• Thanks for being a part of our Masterclass

L. Esson. Everything FCPX gets a bonus.

• Working with Magnetic Timeline, Speed Adjustments, Editing Audio in the Timeline, Timeline Buttons, Various Timeline Features, Index Tab, Adding Clips to the Timeline, Effects and Windows, Viewer Window, Settings and Options

L. Esson. There is a bonus for creating doc edits.

• Setting up the Project, Working with the Multicam, Editing using the Angle Editor

Proof Content

Delivery Method